Complex Breaks

simple is complex — breaking culture, in my own voice

brand, identity & content ongoing since 2020 independent
01 — the spark

Why This Exists

Complex Breaks is my story and my perspective of breaking — told on my own terms. Not packaged for social media, not filtered through a company brand, not sorted by an algorithm.

Breaking already lives on platforms built to rank it and sell against it. I wanted one place to say what I actually think about the culture, in my own voice, on ground I own.

the usual way breaking gets sharedcomplex breaks
packaged for social mediaa home of its own
filtered through company brandsmy voice, unfiltered
sorted by an algorithmon my own terms
"simple is complex." the name says it — breaking looks effortless and is anything but. I wanted to talk about that in my own words, not through a feed.
02 — the world

The Culture It Serves

Breaking happens at jams — long, loud nights where crews battle, cyphers open and close, and the people in the room are the whole point. Complex Breaks documents them the way they actually feel: shot from inside the circle, never staged.

New Birth, Porto, the Elephant Graveyard, Sunshine Jam — events across cities and years, held together by one lens and the same care.

A b-boy frozen in a headspin on a checkered floor as a dim crowd watches — Elephant Graveyard. Three dancers on stage in front of a seated crowd at New Birth 2025. A dancer walking beneath a large suspended globe in an indoor hall — Porto 2025. Dancers talking together indoors between battles at Sunshine Jam.
documented jams, shot from inside the circle — 2024–2025.
03 — the identity

The Identity

Three pillars, one line — shop, session, culture. The commerce that funds the work, the sessions that are the work, and the culture that holds it all together.

The visual language is deliberately quiet: documentary photography, lowercase type, an animated mark, and no marketing gloss. A scene this loud doesn't need a loud website — the restraint is the point, and it's the same instinct I bring to everything I design.

Merch is part of the identity, not a side hustle. Small, considered drops — the Fisherman Beanie, the Hollow Earth tee, Bboys in Hoodz, the Style oversized tee — each one a piece of graphic design that puts the culture on a body and funds the artform.

04 — what I built

What I Built

I designed and run Complex Breaks end to end — the brand and logo, the photography and its curation, the merch, the writing, and the system that ties a shop, a Substack, an event archive, and a donation flow into one coherent place.

Brand & logo
The mark, the type, the lowercase voice.
Documentary archive
Jams shot and kept — not lost to a feed.
Editorial
Long-form writing, published on Substack.
Merch line
Designed drops that put the culture on a body.
Shop & commerce
A real storefront, not a link in bio.
Community & values
Donations, plus open advocacy for calm tech.

It's built on Squarespace — on purpose. The calm-tech principle I design by applies to my own tools: use the simplest thing that ships, and spend the energy on the brand and the writing, not on infrastructure nobody sees. Technology that knows when to stop starts with not over-building your own stack.

The values are wired in. The site points people toward the Light Phone and Proton, the writing lives on Substack instead of an algorithm, and the whole thing stays calm. It practices what it preaches.

05 — where it lives now

Where It Lives Now

Complex Breaks is ongoing — a real platform I've run on my own, not a concept.

Substack long-form writing
merch out in the world
jams documented inside the circle
6 years running, solo

It lives across a shop, a Substack, Bluesky, Instagram, and YouTube — and it's still going. See it live at complexbreaks.com, read the writing on Substack, or browse the shop.

06 — reflection

What It Taught Me

Running this end to end — brand, commerce, writing, community — taught me what a school brief can't: that shipping and maintaining a real thing is its own design skill. The hardest part wasn't making it look good. It was keeping it simple enough to keep going alone.

shipped maintained solo still running
simple is complex. it started as a tagline for a dance. it became the way I design everything.
A masked figure in a beanie bowing with hands together under stage light — the site's closing image.